Monday, October 31, 2011

Showing Students How to Consume One Advertisement at a Time


As a culture we are constantly being inundated with signs; some messages more overt than others. These signs are present in many forms, ranging from traffic signals to advertisements, which may seem more subliminal. When we see a stop sign as a culture, we almost always interpret that sign as an instruction to stop. The form, a red octogonal metal road sign, signifies the idea that one should stop driving a car upon reaching that sign. While we as an American culture collectively know the way we are meant to interpret road signs, we do not collectively know how we are meant to interpret the advertisements that we are inundated with every day.  Furthermore, the message intended by the advertiser may not even be the message that we receive as consumers. As an English teacher, I feel that it is my responsibility to teach my students how to read the world of advertising through a more analytical lens so that they may be more educated consumers.
Through the use of semiotics, students can be taught to analyze advertisements through a system of signs that is dyadic in nature.  This dyadic system of signs was developed by linguist Ferdinand de Saussure in order to analyze language and the sign systems present within it. Since words are signs, and many advertisements contain strings of words, then it is important for students to realize that depending on their context, the same words can signify different things. For example, if the word or form “massive” (the “signifier”) is placed on an advertisement of a resort in the Bahamas, consumers can probably assume that the idea or “signified” connected to that word is that the resort is very large and expansive.  This word will attract vacationers who are looking for an elaborate vacation complete with many grounds to explore.  However, if that same word were used on an advertisement for a dieting program, interpretation of meaning would more heavily depend on the placement and context of such a word.  Is the food amount permitted “massive?”  Is the diet center facility “massive?”  Does the diet center host a “massive” amount of clients?  Or will someone become “massive” if s/he does not follow this diet’s plan for healthy eating?  The multiple interpretations of one word or form necessitates an analysis of context as well as content.
 On a larger scale, the same is also true of advertisements. The decision to place an advertisement on television, on the radio, in a magazine, on a billboard, on a bus, or on a park bench can all lead to different interpretations of meaning of the advertisement.  The context of the ad placement will dictate the audience that will see the ad, thus influencing the types of people that will buy the product or service being sold. The trick to understanding the signs within the advertisement and the signs surrounding the advertisement is understanding Saussure’s system of signs first.  Only then can content and context be interpreted at an evaluative level of understanding.

Monday, October 24, 2011

Story Starters: Halloween Theme

Another way to help students generate ideas for creative writing is to provide them with story starters.  The free write may get students to think about certain characters they might want to include and certain settings that they might place their characters in.  Here is a sample of some free writes for Halloween story starters.  Rather than telling students "Write a story about a haunted house," it is often beneficial to give them a specific starting point.  Then they can develop the ideas from the free write or come up with their own Halloween stories.  (Notice that #10 has a connection to the characters that we started to develop in class.  Perhaps there is a story there? If you have not written your story yet, feel free to try out one of these story starters.  Be sure to use the planning page when you are starting to plan out your structured story.  Free writes, however, do not necessarily require a planning page first.  The free write might help students fill out a planning page later when starting to structure the story.)

Activity: Students should write a Halloween Happening (short story) of their choice.  The Halloween Happening should have a beginning, middle, and end.  There should be a plot, setting, and characters.  Here are some story starters:

1.) "What is that AWFUL smell?" I asked. Then I saw the cauldron full of bubbling purple liquid ...

2.) I took off my Halloween costume, washed the paint off my face, put on my pajamas, brushed my teeth, and went to bed. I was almost asleep when I first heard the sound ...

3.) One dark and rainy Halloween ...

4.) It was the night before Halloween ...

5.) The black cat twitched its tail twice. It hissed. Then ...

6.) Everybody said the old Bosworth mansion was haunted ...

7.) My brother/sister and I were walking through the woods one Halloween day when we saw what appeared to be a short cut. "Let's go that way," my brother said ...

8.) Ugh. I think I've eaten too much Halloween candy ...

9.) Tap. Tap. Tap. The sound came from inside the closet. Quietly, I crept toward the door ...

10.) When Amy met Henrald she was only six and he was 600, but they had more in common than one might have thought.  Halloween was their favorite holiday and.... 

Monday, October 17, 2011

Web Resources for Teachers

Based on some conversations that we had last week, I thought that some of these resources would be helpful to those just starting out in their teaching careers, those who are already engrained in their teaching careers, and those who are curious about the teaching profession.  Some of these resources are more useful than others depending on your needs, but these are just some of the internet resources people have recommended to me over the years.  I hope some of them are helpful to you.  


The Teachers Page

Web Resources for Teachers


Hot List of Teacher Web Sites

http://www.kn.pacbell.com/wired/fil/pages/listteacherma10.html

  
Landmarks for Schools
with Rubric Builder

http://www.landmark-project.com/index.php

  
NEW YORK STATE 
Learning Standards

http://www.emsc.nysed.gov/ciai/ls.html

  
NEW YORK STATE
English Language Arts
Resource Guide for Instructional Materials

http://www.emsc.nysed.gov/ciai/ela/pub/elaim.pdf

  
NEW YORK STATE
Math Practice Tests
Grades 3-8

http://www.emsc.nysed.gov/3-8/math-sample/home.htm

  
NEW YORK STATE
Mathematics Core Curriculum
Revised March 2005

http://www.emsc.nysed.gov/3-8/MathCore.pdf

  
Scholastic
Helping Children Learn...

http://scholastic.com/

  
Mathematics Toolkit

Curriculum Guidance Materials and Resources

  
Kathy Schrock
Discovery School

http://school.discovery.com/schrockguide/

  
Read*Write*Think.org

http://readwritethink.org

  
SmartTech Lessons
for the SmartBOARD

http://education.smarttech.com/ste/en-US/Ed+Resource/Lesson+Activities/Notebook+Activities/Browse+Notebook/United+States/

  
RVC Infogram

  
Library of Congress
The Learning Page

http://rs6.loc.gov/learn/features/index.html#activities

  
K-8 Math Curriculum Maps
Diocese of Rockville Centre

http://infogram.edrvc.org/info/bm~doc/916-revised-mathematics-c.pdf

  
Project-Based Learning 
Rubric Maker

http://pblchecklist.4teachers.org/checklist.shtml

  
St. Joseph College

http://www.sjcny.edu/page.php/prmID/1600

  
MarcoPolo Tools

http://marcopolotraining.com/Partner%20Site%20Tools.htm

  
Scholastic
Net Explorations for the One Computer Classroom

http://teacher.scholastic.com/professional/profbooks/technology/netexplorations/index.htm

  
Power to Learn 
Lesson Activities

http://www.powertolearn.com/teachers/lesson_activities/index.shtml

  
Google - for Educators

http://www.google.com/educators/index.html

  
Federal Resources for Educational Excellence

http://free.ed.gov/

  
TheatreWorks
Class Trips

http://www.theatreworksusa.org/

  
High Point Furniture- North Carolina

http://www.highpointfurniture.com/

Monday, October 10, 2011

Best Revision Practices


This week I have thought a lot about the way that I like to revise my work the most.  The reading this week spoke about many different revision strategies, and I realize that I have different preferences for revising my work by myself and for revising my work in groups. 
On my own, I prefer to revise my work by reading aloud and editing as I go along.  When I get slowed down in my reading, I know that there is something missing for fluency in meaning or that there is a grammatical issue.  In the moment, I go back and correct the error in my paper before I continue reading.  This is really my initial editing strategy.  Then I prefer someone else to read my paper and provide comments about flow and content.  If there are any blaring grammatical issues, I also appreciate feedback on that too.  However, in my first round of drafts, I am more interested in getting the content of my paper perfect. 
In groups, I prefer instructor directed peer editing.  I think it is important to make all members of a group aware of the specific ways the paper should be improved.  Positive and constructive feedback is important side by side so that the writer does not feel defeated by all negative feedback.  I think color editing has been my students’ favorite revising strategies because the use of colors allows them to see what is missing from their papers and what is present.  Many of my high school students have even told me that they chose to use color editing on their own and with their friends in college. 
My goal as a writing teacher is to help my students find their “best revision strategies” and to teach them how to use these strategies on their own one day when I am not there to orchestrate the steps for them.  This revision independence is a skill that I believe all writers and readers need to be able to develop before entering college in order to be successful.  

Monday, October 3, 2011

Pre-Writing Strategies for Critical Lens Essay Writing


Many students are accustomed to brainstorming for writing assignments on graphic organizers.  For this reason, I usually supply as many graphic organizers as possible for students in the beginning of the year so that they can see what their planning options are moving forward.  I do not provide graphic organizers for every assignment throughout the year, but for the first two to three months, I usually give students choices of formats that might help them organize their writing effectively.  This teaches students to be metacognitive about their writing processes, and the planning stage is a very important part of the writing process. 
For the critical lens essay, I provided you with an outline structure for writing this type of essay.  However, I would also provide my middle school and/or high school students with a graphic organizer on which to pre-write their responses.  While the response to the prompt might be basic on this planning sheet, it is still a way for students to outline their ideas before starting to write the entire essay.  Below you will find the planning sheet that I provide for my seventh through twelfth-grade students when we first start out working on critical lens essays.  Perhaps you will find this helpful to use with your students, or you may want to develop your own pre-writing worksheet to use with students.  Students that do not think in this format can also be encouraged to develop their own planning pages that match with their specific learning styles.

Name ________________         
Do you agree or disagree with the quote?                    
Critical Lens Essay Writing         

QUOTE/ Prompt
Agree? Why?
Disagree? Why?







Books that Prove This (with examples):
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Literary Elements that Show This (examples):
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